Alessandro Mallamaci

The Longest Sunset

2022 – ongoing

During the flight to Keflavík Airport, one can gaze at the sunset for several hours. Staying in Reykjavík during the month of December is like being immersed in a sunset for an entire month. What truly matters in photography is the possibility of working freely, without preconceptions. The direction emerges through intuition and sensibility, sustained by an honest approach and by attention to a quiet secret and the intimate relationship between the photographer and the landscape into which he has drifted. The ancient struggle for survival between humankind and nature forms the backdrop to these images, which do not seek to provide answers. Instead, they move through natural elements, drawing close to something unknown. A subtle disorientation runs through them, resisting any fixed interpretation.

A call to action for all of us

Iceland is a land rich in stories of both small and great revolutions. One of Iceland’s most significant transformations is the one related to the use of renewable energy sources. Only 50 years ago, Iceland depended on oil, whereas today it produces almost all of its energy from renewable sources, particularly hydroelectric and geothermal power plants. But revolutions, as we know, begin with everyday life, and in Iceland there is a deep respect for the environment, expressed even through simple gestures such as not sitting or walking on the delicate Icelandic moss that grows at the rate of just a few millimetres a year.

Despite the country’s commitment to sustainable development, the effects of climate change are transforming both its landscape and economy. The Okjökull glacier has completely melted, and scientists predict that the others will also disappear over the next two hundred years, including Vatnajökull, a vast glacier covering almost 8,000 square kilometres. According to some research, the shift in weight caused by the melting of large glaciers could lead to an increase in volcanic and seismic activity. Some Icelandic towns are already experiencing underground tremors that damage pipelines and cause sudden flooding, or in extreme cases, rising lava levels have led to eruptions threatening to destroy entire towns, as happened near Grindavík in 2024.

In The Longest Sunset, nature is depicted in all its majestic beauty. The photographer and the viewer are immersed in breathtaking landscapes that capture the wild and unspoilt essence of Iceland. The photographs are not merely static images, but tell a dynamic story of a land undergoing profound changes. The Longest Sunset thus becomes not only a collection of extraordinary images, but also a call to action, prompting deep reflection on the everyday choices that can influence environmental sustainability. In a world where nature is constantly changing, these photographs serve as a bridge between the present and an uncertain future, inspiring greater awareness, and a collective commitment to protecting the natural world around us.

Silvia Bonaventura, Galleria Valeria Bella

Exhibition project

Six prints, 80 × 120 cm. The second panel shows the prints installed in Thaumázein [visioni del reincanto], curated by Taryn Ferrentino, Fotografia Europea OFF · Marco Sergiampietri Tattooer, Reggio Emilia, 30 April – 9 May 2026, hung in pairs across three walls of the studio.

Panels 1 / 2
Exhibition design for The Longest Sunset: six vertical prints hung side by side along one wall
The Longest Sunset installed in a tattoo studio in Reggio Emilia: six unframed prints in pairs on three white walls, an old examination couch and plants in the room

Video

The book

The cover of The Longest Sunset: embossed white paper with the title in pale blue
Years
2022 – ongoing
Place
Iceland
Origin
Made during a residency at SÍM, Reykjavík, December 2022
Outcomes
  • 2026 · Group exhibition · Thaumázein, Fotografia Europea OFF, curated by Taryn Ferrentino, Reggio Emilia, Italy, with The Longest Sunset
  • 2025 · Group exhibition · La notte della Fotografia, Piacenza, Italy, with The Longest Sunset
  • 2024 · Group exhibition · MIA Photo Fair, Milan, Italy, with The Longest Sunset
  • 2023 · Shortlisted · Sony World Photography Awards, professional / landscape category
  • 2022 · Group exhibition · Jæja, SÍM Residency, Reykjavík, Iceland, with The Longest Sunset
Book
Self-published as a dummy · May 2026
Format
31.8 × 45 cm
Pages
44
Binding
Japanese binding
Cover
Fedrigoni Materica Gesso 250 gsm, die-cut
Interior
Fedrigoni Arena Natural Bulk 140 gsm
Endpapers
Fedrigoni Illusion Verdeoro 125 gsm
Typefaces
Söhne · Avenir
Printer
LaLegatoria, Rome
Texts
Alessandro Mallamaci and Silvia Bonaventura · English translation by Elizabeth Grech
Photographs
Fifteen photographs, December 2022
Design
Alessandro Mallamaci
Moss-covered rock rising from a steaming geothermal pool
Mineral crust veined with red and white, steam drifting across it
Thin ice breaking over pale shallow water
Lava field covered in yellow-green moss beneath a dark slope
Ridges of ochre sand drifted across frozen ground
Pale blue ice scattered with bubbles frozen beneath the surface
Cracked ice sheet catching low golden light
Volcanic hills streaked with snow above a wide pale slope
Column of steam turned pink by the low sun against a blue sky
Waterfall breaking into spray against a basalt wall
Rock face of layered basalt with ochre mineral deposits
Shallow water running over a rust-coloured mineral bed
Crusted mineral shelf standing above steaming water at dusk
Dark volcanic ground with scattered stones, steam rising beyond
Turquoise water churning white around blocks of ice